In the nineteenth episode of the third series of Fringe, WHAT THE HOLY HELL JUST HAPPENED. If you’re intrigued (and just as confused), then it’s time for Mark to watch Fringe.
I wrote nearly two thousand words of this review, starting around noon on Saturday, when I erased it all in a moment of fury and went on a bike ride to clear my head. I’m generally a pretty critical person when it comes to my writing, and nearly every review is scrapped in some form before you see the final product. I’ve gotten much better at not religiously editing my words over time, and the nature of this project has facilitated that fairly easily. Still, I don’t think I’ve ever written so much and completely trashed the entire work as I did with the review for “Lysergic Acid Diethylamide,†one of the most confusing episodes of television I have ever seen.
I mean that both as a criticism and a compliment, for the record, and you’ll see how evenly split right down the center I was about this particular episode of Fringe. As I tried to organize the review in a chronological manner, I kept noticing that I was going off on these really weird tangents, where I either praised the show like the superfan I am, or I went on a tirade for paragraphs about ONE TEN SECOND SCENE and seriously…it was a mess. I was a mess. This episode was simultaneously gorgeous and ugly and revealing and secretive and brilliant and poorly executed and LOOK I HAVE SO MANY FEELINGS I COULD NOT FIGURE THEM OUT.
But I realized that I was approaching this all wrong, because running through “Lysergic Acid Diethylamide†in any sort of chronological way was pointless. While I don’t normally do these for regular reviews, I knew that the only way for me to make this make sense to me was to break it up based on what I knew was good and what I knew was stuff I didn’t like. And even though there’s still stuff I don’t understand, I’m also willing to just say that: I DON’T GET THIS.
Before I split this off into a List to End All Lists, let me get something out of the way that is necessary: I love that Fringe can do something like this. I love that the writers trust us as an audience that they feel they can give us an episode that is absurd, confusing, and lapsed into a surprisingly long bout of ANIMATION. (Thank you, Internet, for not spoiling this for me or many of the people in the Fringe fandom. It made it so much more enjoyable.)
If the writers are reading this (LOL THEY AREN’T): Thank you. PLEASE DO MORE EPISODES THAT ARE WEIRD AND STRANGE AND SEEMINGLY NON-SENSICAL. I don’t want the second half of my list to discourage that sort of creativity, because even when I was scratching my head or seething during certain parts, I honestly couldn’t stop thinking one thing: THIS IS SO COOL.
So, as promised, let’s work this out as a community, because this episode gave us a lot.
HERE’S WHAT I KNOW I LOVED
- Aside from a movement issue (which I’ll get to), the animation in “Lysergic Acid Diethylamide†was GORGEOUS. Unexpected and beautiful and largely used in a totally fascinating way. There were moments in this episode (namely, when Peter escapes the zombie Brandons on the roof) where this stopped feeling like an episode of television and catapulted into a truly cinematic experience.
- Look, I am not even going to make you wait for this. I had this much further down the list in my outline, but I can’t. I CAN’T WAIT. BROYLES ON LSD IS THE GREATEST SINGLE THING IN THE WHOLE UNIVERSE. I’ve followed Lance Reddick from Oz to The Wire and then on to LOST and Fringe, and one thing is absolutely certain: HE HAS NEVER GIVEN US A TOOTHY SMILE. Reddick’s performance here was eerie and ecstatic, and I can’t imagine how fun it must have been to do what he got to do here, which was so unlike anything I’d ever seen him do, and certainly a completely new area for Broyles. From the bubbles to the animated bird to the bulging eyes to the laughing and ESPECIALLY asking Astrid to hold his hand….it was UTTER PERFECTION. Good god.
- FINALLY, IN A WAY, WE GOT MORE ASTRID. Is this the most we’ve seen her in a single episode??? She had so many more scenes and exponentially more screentime, and it was BEAUTIFUL and NOTHING HURT. I’m still flabbergasted that this show has not given her an episode that focuses on her, considering everyone else here has gotten at least one. (Lincoln, Broyles, Charlie/Scarlie, even SIDE CHARACTERS have gotten more in-depth stories than Astrid. So, writers, if you’re reading this (LOL, YOU’RE STILL NOT), please, please, please PLEASE give us an Astrid-centric episode. I AM BEGGING YOU.
- Peter on LSD saying Broyles was an Observer. Maybe this show should just always have LSD on it, because it produces such amazing shit.
- The chance to see Olivia’s step-father!!! Holy shit, totally unexpected and, in hindsight, completely necessary to tell the story that happens here and push Olivia in the direction she needs to go, and I welcomed it.
- Oh man, who expected the return of Leonard Nimoy in this way? The element of surprise for this episode was more than usual, and, again, I’m so thankful this wasn’t spoiled for me.
- WHO. THE. FUCK. IS. THE. MAN. IN. THE. ZEPPELIN.
- I thoroughly enjoyed the concept that this episode was about how fear ruled Olivia’s life, that both William and Walter also had to acknowledge that what they did to her caused this, and that Olivia needed to confront that fear in order to return. I’ll explain why I didn’t like this as well in a bit.
- Ok, having Young Olivia be the real Olivia was fucking FANTASTIC. One of the more tender and sweet moments of the series. Seeing Peter smile as Young Olivia walks to him and grab his hand….UGH THESE TWO WERE MEANT FOR EACH OTHER. And it’s not often that I say that! But they’re written so well and seem so compatible and JUST PLEASE LET THEM BE OK :: sad huffing and puffing ::
- I have a complaint about this, too, but I like that Bell’s story is closed fairly definitively. I don’t think there’s anything else left for him to contribute to the story, and it would feel kind of silly if they were like LOL NOT REALLY DEAD THIS TIME, LOL.
- Again, another complaint about this very scene, but watching Walter grieve for the loss of William was really heartbreaking, and John Noble, unsurprisingly, knocked the scene completely out of the park.
- Oh man, VIRTUALLY EVERYTHING ABOUT THE FINAL SCENE IN OLIVIA’S APARTMENT IS PERFECTION. Olivia admitting that she no longer afraid? YES. Peter’s joy at getting Olivia back? YES. A love of toast? YES. Olivia casually stating that the mysterious man in the zeppelin is the man who is going to kill her? HOLY SHIT, WHAT A CLIFFHANGER. And she has NO FEAR IN STATING SUCH A THING. And she just continues eating her toast like the true badass she is.
Ok, on to part two, where I have a lot of feelings.
HERE’S WHAT I KNOW I DIDN’T LIKE
- Let me just go straight to the most obvious and most detrimental moment of the episode: That was the worst product placement I think I’ve ever seen. Holy christ. And look, the show needs to make money and it happens ALL THE TIME. I’m not here to dismantle or criticize the process because it’s just a reality of the world we live in. BUT SERIOUSLY, DID YOU HAVE TO STICK THAT SPRINT PAD DURING THE SCENE WHERE WALTER IS GRIEVING THE DEATH OF WILLIAM???? Instant way to take me completely and utterly out of the scene. WHAT THE FUCK.
- Ok, I did largely enjoy the animation, but my roommate pointed out something halfway through the animated part that I couldn’t ignore: Was all the movement particularly slow for the animation? Is that how this specific style operates? It was kind of distracting sometimes, especially since there were these really awkward pauses in the conversation. Now, I’m willing to admit that this was probably all animated on a very tight schedule and that they certainly pulled it off, but it was just…weird. Right?
- I’m glad William Bell came back, but by the end of “Lysergic Acid Diethylamide,†I scratched my head and wondered, “So…..why did he come back?†His story seemed to exist only as a catalyst to get Olivia to face her fears. His own story just….happened? No character growth, no real big shocking revelations, nothing was particularly significant about him being around. Maybe I’m alone in that one.
- About Olivia’s story: She needed to face her fears before the finale. She had to. She needed to move forward. I get that, and I support that story existing in this season. What I would have liked and preferred was that the story focus on Olivia actually doing that. By the end of the episode, it felt like Walter, William, and Peter were the focus of this plot, stripping the agency away from Olivia’s own personal growth. Shouldn’t she have been the main focus of this story? I mean, I did like that we had an Olivia-lite episode because MORE ASTRID and BROYLES ON LSD, but…yeah. Olivia should have been the one acting instead of other people.
- I’ve seen a lot of people comparing this plot to The Matrix, but this seemed almost identical to Inception, including the idea that Olivia’s subconscious created this world and that people in it could “turn†on the people who were essentially invading it. Maybe that’s why the episode turned so sharply into something else, including the animation, so that it wouldn’t be so much alike. But at first, it was really distracting.
- Tonally, I have to say that this episode started off being so dearly funny and silly and there’s a part of me that wishes it had remained a fun episode the entire time. I suppose that’s too much to ask for and might have produced something nonsensical, but the tone shift to SUPER SERIOUS was really jarring. Am I just distracted easily? Maybe I should just turn off my brain sometimes. Um….nah. It’s more fun this way.
I definitely had a good time with this episode, and I hope these sort of risks in the storytelling come up more and more. I don’t believe the execution is perfect, but I’m honestly ok with that. It doesn’t need to be all the time, and this show has to do things like this to continue to be fun to write and create. I am hoping that future events might re-contextualize this episode and hell…I might even grow to love it wholeheartedly someday. But for now, I think this is the closest an episode in season three has come to missing the mark.
Now we’ve got three episodes left in the season. I fully expect this show to exponentially get more and more real over the course of the two hours and twenty-five minutes left to be broadcast. ARE WE PREPARED??? NEVER.
(PS: I’ve gotten real good at spelling out LSD. Thanks, Fringe.
Okay, so I saw this posted on Tumblr and it just blew my mind a little bit with just how far in advance they've been planning things:
This is from an interview [showrunners] Wyman and Pinkner did last season, right after Brown Betty aired.
Question: Now that you’ve done a musical episode, how are you going to top it next season? Are you going to have a Saturday morning cartoon animated episode or anything like that?
JP: You may be closer to the truth than you realize.
JHW: Exactly.
JP: Remember that question. Deep in next season, remember what you just asked us.
I had a lot of the same complaints you did. It really bugged me that Olivia didn't have more agency in the whole plot. It was the others propelling her to act.
I also felt like the animation made it a little bit harder to take everything seriously. In the back of my head I was just thinking that they did the animation because they couldn't get Nimoy back, and that kind of sullied things for me. The animation was also just… a little bit weird. Like you said, really slow, almost jerky sometimes? Just not my favorite animation style.
Oh, and MOAR ASTRID. I'm getting really sick of Astrid just cleaning up the lab and feeding Walter and babysitting the trippers. Come on! Remember season one? She majored in computer science and linguistics! She's kind of a genius, and she's basically a janitor/waitress. It's terrible.
Yeah, I usually don't like rotoscoping. You capture live-action scenes and draw over or animate them, and the actors' movement can look fluid, but the frames can jerk (like in "Take On Me"). My icon is from one of my favorite movies, and adding animation to live action can be really awesome! In theory, it was a good way to bring Nimoy back and use him in action scenes, but I agree that it was distracting. I'm glad Fringe takes weird risks like this, though!
Please give us more Astrid! I loved that she actually took part in conversations and the plot line. More of that!
Rotoscoping! Thanks, I couldn't remember what it was called. I agree, I like that Fringe is willing to take risks like this, but it just didn't pay off for me in this instance.
MORE ASTRID FOREVER. Seriously, Jasika Nicole is awesome and fans everywhere, at every panel they go to, beg for more Astrid.
WALTER ON A BUS. BROYLES ON LSD. Every time I think of the things that bugged me in this episode I think of those things and I get happy again. I am so easily satisfied, it's ridiculous.
I liked the animation at first, but then it seemed really sloppy. And you bring up a good point- why did we need Bell again? He didn't actually do anything… other than invade Olivia's mind, nearly kill her and then got her to confront her fears. But really, didn't do much of anything.
ZEPPELIN MAN. WHO IS HE. WHAT IS HE. I'm sure they're not going to bring him back until season four and I don't want to have to wait that long!!!!
I actually really hated the animation 🙁 I thought, stylistically, it looked really awkward and unprofessional. Bell and Walter looked pretty good, but poor Olivia and Peter, they looked like emotionless zombies. I was also a little annoyed that the initial subconscious sequence (the one where they're not animated characters) was so similar to Inception.
BUT! I have NOOOO idea where this season is going so I'm sure things from this episode and Bell's time in Olivia will play a large part in the next few episodes. I'M EXCITED AND READY TO HAVE MY MIND BLOWN!!
I think Bell came back just to help Walter. Walter was grasping at strings when he tried to get Bell back. I think he needed the affirmation that he is different from Walternate and himself in the past in order to move on.
On an odd note, I was expecting Olivia to FREAK OUT because Bell had been living inside her. She just got her dopplerganger out of her world and then SOMEONE INVADES HER MIND! Maybe this is a part of facing her fears but I still expected a freak out.
Why zombie? I love zombie but WHY there is not mention of them ever again and the people on the street aren't zombies so just WHY?
Broyles was the BEST THING ever! They could've had an entire episode of high Broyles and I would have been happy.
"Sure thing Wally"- Best quote ever! Walter's face when he hears this is priceless and when Walter yells for Atrid and she's right next to him. That was great also.
I agree that (plot-wise) Bell came back to reassure Walter that not only is he *not* Walternate, he's capable of fighting Walternate without Bell's help. I think for Bell personally, it was for him to accept his own mortality and move on to whatever's next.
I was also wondering, "why zombie brandons?"
And my interpretation, to answer, was basically that she views him as evil, but kind of also as a puppet of the evil powers that be. We encountered zombie brandon right on the tails of murderous nina (clearly olivia's subconscious does not think well of nina) and brandon works for her. I feel like his zombie representation shows that olivia doesn't trust him either, but also that she doesn't think he's the one pulling the strings.
<img src="http://i56.tinypic.com/5zdrnm.gif">(Source)
<img src="http://i54.tinypic.com/2e2j6uu.gif">(Source)
<img src="http://i56.tinypic.com/73e5jt.gif">
<img src="http://i55.tinypic.com/6p6icl.gif">(Source)
P.S.
<img src="http://imgs.xkcd.com/comics/(.png">
(Source)
o god the last one…I'm practically scratching at my computer screen, trying to fix it
KAJSD;LFKJASDF;KAJLS;DFJKA
*right click save*
<img src="http://img.photobucket.com/albums/v604/insomniaconfessions/tumblr_ljrcngcf6e1qc6hft.gif" border="0" alt="Photobucket">
That bubbles gif is the best thing everrrrr.
Absolutely amazing gifs all round.
I kind of love Bellivia in the capacity of snarky sexy science lady, per gif number 1. We need more of those!
I had an idea about the cliffhanger after a re-watch.
When Peter tells Astrid that he's afraid there's a reason we can't go inside each other's minds; what if we knock something loose? Then inside her mind, Peter proceeds to unlock a padlocked door on the zeppelin, letting the mysterious guy go free. At the end of the episode, Olivia says she doesn't recognize him, but I think the fact that she shows such nonchalance and lack of fear when mentioning she thinks he's the guy who's gonna kill her means they DID knock something loose. SOMETHING IS NOT RIGHT WITH OLIVE, FOLKS.
Never, ever prepared.
AMAZING CATCH. Holy crap, what if Peter knocked Olivia's ability to fear loose? Or her fear of death? And now that guy's gonna kill her? Her sudden coolness totally makes sense in that context. I might not hate this episode anymore…
WHOA.
SERIOUSLY YOU ARE A GENIUS.
Yes, yes I am, but unicornseatrainbows deserves all the credit here!
Oh wow, what a great idea. I'm so interested to know if things resolve in this way!
If Astrid/Broyles ever becomes a thing, I am officially deeming their pairing AstroBroy.
If only for the pairing name, YES x A BILLION
HOLY SHIT YES.
I loved tripping Broyles and all the wonderful Astrid moments! I'm okay with tonal shifts from funny to serious, so they didn't bother me, and I actually appreciated the happy moments in between the sad. Walter's conversations with Bell and Bellivia were so freakin' endearing; you can tell he loves and depends on Bell. I ship them so hard. I don't think the lab antics detracted from their scenes.
I didn't like the episode overall for the reasons you mentioned: I wish we had actually seen Olivia's development, and that it had been her story, too. Rescuing Olivia seemed like it was just a way for everyone else's stories to be acted out. But I loved the toast, and that her fear was resolved (even if it was done poorly) before the finale, because it looks like the shit is gonna hit the fan in the next episode!
Joshua Jackson: never do voice over work again. And I like to think that this episode and the LSD use were a tribute to Bicycle Day, since the anniversary is on Tuesday. Weird, distracting rotoscoping totally make sense in that context. I didn't like it, but I appreciate the creative choice they made.)
I really liked that for a couple of hours, this show went back to its roots about the enduring bromantic triangle between Walter Bishop, William Bell, and Drugs. (Have you seen the Fringe graphic novels? They're mostly the Adventures of Bishop and Bell, and they're great fun.)
The comparison's been raised elsewhere between this and another episode that aired on a Friday at 9 PM on Fox (The Attic, for those of you who've seen Dollhouse), and I feel like you hit the nail on the head there: in The Attic, Echo is leading the journey into the mind in hopes of leading it back out; in this episode, Olivia is the McGuffin–the reason for the whole Inception!Lite trip into her own head, but not an active participant until the final act.
And what the hell was wrong with josh's voiceover work? The hell man?
Is that addressed to me or Josh? it sounded stilted and like he was just reading and not acting at times. Sorry.
Okay, mang. I haven't read through all your reviews of Fringe yet, so I'm sure this has been discussed a ton before this moment, but mang. I TOTES AGREE WITH YOU ABOUT ASTRID. I'm glad I'm not the only one that feels this way.
It's actually the one thing that bothers me most about this show- and the one thing that's keeping me from being a real fan of it: Astrid has little to no explanation, or characterization.
I think my feelings on it result directly from me marathoning Fringe directly after watching through Bones. Bones has a way of giving EVERY SINGLE character, side character, rotating intern, whatever an amazing, unique and likable personality. And each of these characters interact with each other character in their own unique and believable way. Wonderfully written, multi-faceted, and likeable characters are probably the one thing that draws me into a show most.
Then I started watching Fringe after a friend urged me to, and here was this character who could POSSIBLY be interesting, who has the POTENTIAL to be an intriguing character, but the writers of this show treat her as little more then a plot device. 🙁 I feel like the entire purpose of the character of Astrid in this show is to have someone in the lab taking care of Walter so Peter can go gallivanting off having adventures with Olivia. The writers all but ignore her! How disappointing!
</rant>
Now: for a new subject entirely!
I am studying animation!
And you have noticed what most animators know: rotoscoping makes animation feel wrong.
All animators learn traditional animation first- You learn the principle of animation first, which include concepts like squash and stretch, overlapping action, timing, arcs, and exaggeration. Turns out that basic human actions dont look good as a drawing, because it misses alot of these principles. we are used to animaters really pushing animated characters to their extreems of movement, but because they are drawings it looks natural to us.
That isn't to say that rotoscoping and motion-capture is nessecarily a BAD thing! Good rotoscoping and motion-capture, though takes ALOT of post-recording work, adding more overlapping action, fixing arcs, and really pushing the exaggeration, and bringing in snappier timing.
So, while I was watching this episode, the animation just felt… unfinished. Not necessarily bad, just, incomplete.
But yeah, just thought I'd provide a little insight on why it feels wrong, from my own (possibly feeble!) understanding.
I TOTALLY FEEL YOU ON THIS. But then I think that this show had very little time to pull this episode off and, given that context, I'm largely ok with their choice to go with rotoscoping instead of full-blown animation.
I actually kind of liked the surreal quality of the movements, it fit the dreamlike quality/ surreal experience of the whole thing.
What bothered me were the bad likenesses of the characters. Especially jarring because I couldn't seem to really connect them to the very familiar voices and I was missing the facial expressions of the actors I (uncounciously) associate with certain tones.
Two favorite things:
1. When Peter realized it wasn't Olivia because he could see it in her eyes – the perfect response to gain her trust given Marionette episode.
2. Broyles smiling. I don't know why, but each time he smiled, I smiled.
I agree with these things so much.
I don't know if you've heard yet, but Fringe has been renewed for a fourth season!
YES. THIS IS GLORIOUS NEWS.
I know! I think it's supposed to be a 22 episode series as well.
one question: how did Broyles get high in the first place? Something about cleaning up the table? Did he eat one of the sugar cubes or something? I'm not oppposed, it was HILARIOUS, but I was just wondering if I missed something.
I don't condone the use of drugs, but it was SOOO funny to watch them tripping 😀 Maybe because they usually make light of Walter's drug use, not like hard core abuse.
Yes, that was kinda weird to see parts of the alternate universe in Olivia's mind. Maybe bits of Fauxlivia's memories are still embedded?
HELLO, INCEPTION!
Does anyone else think Bellivia raising her/his eyebrow was a total Spock thing? LOL
Well, Olivia did actually spend some time in the other universe herself (and as herself too, though I do think that she also kept her memories of her time as the other Olivia) so I just though that that's where the images in her mind came from.
Your idea does bring up the interesting general question of how much of the transplanted memories remain with her.
LSD is potent stuff – you can absorb it even through your fingertips, which is how its effects were discovered by the chemist who originally created it. And that's probably how Broyles got dosed, too. I'd like to think he knew better than to eat a sugar cube lying around in Walter's lab. 🙂
The funny thing is that I was fine with all the dream stuff and shared consciousness and all that, but the episode lost me for a minute when Walter decided to synthesize 2000 milligrams of LSD. That's a massive amount – a normal dose of LSD is measured in micrograms. So basically, Walter wanted to make enough LSD for 1,000-2,000 doses. No wonder Broyles started tripping after just touching the sugar dish.
(This very late comment is brought to you by me finally catching up on Fringe and reading Mark's old reviews!)
I also thought that the likeness of all the characters in animation was pretty bad and also the facial movements didn't match my expectations. Standing for itself I liked the animation, it had a certain style that works fine and that I found appropriate for a dreamworld actually. But the fact that they didn't matcht the actual characters very well in looks and facial expressions meant that I was constantly thrown by hearing familiar voices while watching infamiliar faces. Though I suppose that matching that more closely would have meant a much more timeconsuming and expensive investment into the animated scenes and it wasn't all THAT bad. And people are thrown by different things.
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