{"id":7561,"date":"2020-05-11T13:00:53","date_gmt":"2020-05-11T20:00:53","guid":{"rendered":"http:\/\/markwatches.net\/reviews\/?p=7561"},"modified":"2020-05-04T16:48:41","modified_gmt":"2020-05-04T23:48:41","slug":"mark-watches-jane-the-virgin-s01e05-chapter-five","status":"publish","type":"post","link":"http:\/\/markwatches.net\/reviews\/2020\/05\/mark-watches-jane-the-virgin-s01e05-chapter-five\/","title":{"rendered":"Mark Watches ‘Jane the Virgin’: S01E05 – Chapter Five"},"content":{"rendered":"

In the fifth episode of the first season of Jane the Virgin<\/i>, Jane struggles with the truth. Intrigued? Then it\u00e2\u20ac\u2122s time for Mark to watch Jane the Virgin<\/i>.<\/p>\n

Trigger Warning: For discussion of domestic abuse, and a very brief discussion of child abuse<\/b>.\u00c2\u00a0<\/span><\/p>\n

You know, I relate to Jane\u00e2\u20ac\u2122s struggle here, but from a completely different direction, one that I got to speak about in a previous review. Being adopted can be a strange enough experience, but I know what it\u00e2\u20ac\u2122s like to discover that you\u00e2\u20ac\u2122ve been lied to for many, many years about who you are and who your family is. An example: Until I was in my early 20s, I did not know that one of the major reasons my family moved me from Boise, Idaho down to Riverside was because my mother was convinced that our adoptive mom was going to \u00e2\u20ac\u0153steal\u00e2\u20ac\u009d us. And it explains so much of her irrational strictness when I was a kid, too. If I started succeeding in something, my mother would pull me out of it. She\u00e2\u20ac\u2122d make excuses about how I was being \u00e2\u20ac\u0153used\u00e2\u20ac\u009d by teachers, who were all trying to ride on my coattails, but the truth was a lot creepier. She thought that if my name made it into the newspaper, my biological mom would find me and my brother and take us away. Which… was never going to happen? Also, I can\u00e2\u20ac\u2122t ignore how much of this behavior either thrived on or caused the abuse my brother and I went through as kids. One of them fed off the other in this endless cycle of paranoia and control.\u00c2\u00a0<\/span><\/p>\n

And then, I found out some<\/i> truths about my family as an adult. Like I mentioned before, I probably won\u00e2\u20ac\u2122t ever learn everything about my biological parents; there are too many anecdotes that contradict one another, and now that I\u00e2\u20ac\u2122m more or less estranged from the bulk of my family, I don\u00e2\u20ac\u2122t see there being some big reunion any time in the future. The point I\u00e2\u20ac\u2122m leading toward is that when you find out you\u00e2\u20ac\u2122ve been lied to for DECADES, it stings. Which is why it was so satisfying to see a similar motif pop up between Jane and Rafael: Both of them reject the notion of what happened to them being a \u00e2\u20ac\u0153mistake.\u00e2\u20ac\u009d Initially… maybe. Maybe these actions could have been excused as mistakes as long as there was an apology. But with years and years of lies built on top of one another, it starts feeling calculated. It stops feeling like a momentary bad decision and rather, more like a legacy of bad decisions. It\u00e2\u20ac\u2122s why that notion of the \u00e2\u20ac\u0153right\u00e2\u20ac\u009d time to tell the truth often fails so miserably. The \u00e2\u20ac\u0153right\u00e2\u20ac\u009d time implies there\u00e2\u20ac\u2122s a moment when a person who has been hurt will magically NOT be hurt by what someone did. And every moment you wait? That hurt risks compounding into something new.\u00c2\u00a0<\/span><\/p>\n

That<\/i> is what Jane is dealing with. Is she harsh and quick with her judgments? Oh, absolutely. But that\u00e2\u20ac\u2122s one of the things I find so fulfilling about watching this! Jane is written as a devout Catholic who has used these quick judgments her whole life to get by. It\u00e2\u20ac\u2122s part of her characterization, and thus, I felt all of her actions in \u00e2\u20ac\u0153Chapter Five\u00e2\u20ac\u009d to be entirely believable. Jane has an incredibly strong moral code, but part of the problem is that she\u00e2\u20ac\u2122s been forced into a situation that her code doesn\u00e2\u20ac\u2122t really address. It\u00e2\u20ac\u2122s all<\/i> a grey area, and yet she\u00e2\u20ac\u2122s trying to find stability in the black and white. Thus, her actions feel tangible<\/i>. They feel real and believable and consistent with who she is as a person. That doesn\u00e2\u20ac\u2122t make this any less frustrating, of course. I actually found \u00e2\u20ac\u0153Chapter Five\u00e2\u20ac\u009d a little overwhelming because there were so many heavy moments spread out over the episode. But if I<\/i> was overwhelmed, then that means that the writers and the actors did a fantastic job giving the viewers a sense of what it\u00e2\u20ac\u2122s like being in this mess.\u00c2\u00a0<\/span><\/p>\n

And what a MESS this has become. I feel like \u00e2\u20ac\u0153Chapter Five\u00e2\u20ac\u009d clears out multiple lines of deceit, though, since nearly every \u00e2\u20ac\u0153truth\u00e2\u20ac\u009d has come out. Michael finally told Jane about his relationship with his brother, Billy, and why it is complicated. (Though I sense that there is something more to it?) There\u00e2\u20ac\u2122s no hiding the affair from Rafael, either, and after Petra attempts to seduce her way back into her marriage, Rafael still delivers divorce papers. Xiomara is dealing with the fallout of her own lies, since Jane now knows that Rogelio is her father. And the final scene is of Jane storming out after accidentally discovering that Michael knew Petra was having an affair.\u00c2\u00a0<\/span><\/p>\n

(This is all the FIFTH episode of ONE HUNDRED. How the fuck?????)<\/p>\n

For what it\u00e2\u20ac\u2122s worth, though, my GODS, these people are trying. This isn\u00e2\u20ac\u2122t a show about messed up people being messed up because it\u00e2\u20ac\u2122s entertaining. It\u00e2\u20ac\u2122s so damn genuine<\/i>, and these characters sincerely want the best for themselves and the people they love in their life. Take Rogelio, for example. He is perhaps the HOTTEST mess here, someone who is vain, arrogant, oblivious\u00e2\u20ac\u201dI could keep going. I should hate him! And yet, I can tell he\u00e2\u20ac\u2122s thrown himself into the life of being a telenovela star, and suddenly, this beautiful, perfect wrench has been tossed into the machine, and Rogelio will do practically anything to make this work. What he does<\/i> choose to do here is not great because he doesn\u00e2\u20ac\u2122t know any other way to relate to people. It\u00e2\u20ac\u2122s all through the identity of being famous, which Jane doesn\u00e2\u20ac\u2122t give a shit about. So, his first attempt is entirely absurd, but then he swings the pendulum completely to the other side in his second attempt. He tries to be \u00e2\u20ac\u0153normal\u00e2\u20ac\u009d and talk to Jane about her mother, but his timing and technique are… well, they\u00e2\u20ac\u2122re not good. And it doesn\u00e2\u20ac\u2122t work AGAIN. Like Jane, he went into each of these moments with expectations: that his fame would cover his nervousness. That being \u00e2\u20ac\u0153relatable\u00e2\u20ac\u009d and talking about Jane\u00e2\u20ac\u2122s mother was more down-to-earth. That he could catch up on all that missed time in TWO HOURS. All Jane actually wanted?<\/p>\n

For him to just be himself. For the chance to get to know someone she should\u00e2\u20ac\u2122ve known a long time ago.\u00c2\u00a0<\/span><\/p>\n

Jane wants nothing more than stability at this point in her life, and all these recent events have thrown her into chaos. So even though Michael, to some extent, had to keep his work and Jane in separate worlds, I also understand why she\u00e2\u20ac\u2122s so upset with him. The timing of it all certainly doesn\u00e2\u20ac\u2122t help, but again: there\u00e2\u20ac\u2122s no right time. Look, I genuinely do not know what is going to happen with Jane and her baby. I really liked that Rafael and Jane were so honest with one another and their intentions. Actually, they\u00e2\u20ac\u2122re perhaps the only two here who are just upfront with the truth, even if that truth is messy and uncomfortable? Jane wanted her baby to go to a happy home; Rafael cannot be with Petra anymore and wants to raise the child alone. I think Jane\u00e2\u20ac\u2122s claim at the end of their conversation is more optimistic than she might see it, but I, too, would like<\/i> to think that while this situation isn\u00e2\u20ac\u2122t perfect, they could work it out. But how does that work? Who gets majority custody of this child? How much of this will throw Jane\u00e2\u20ac\u2122s life into chaos again?\u00c2\u00a0<\/span><\/p>\n

There are, of course, the unknown variables. (Well, not unknown to the audience.) So, \u00e2\u20ac\u0153Chapter Five\u00e2\u20ac\u009d confirms that Petra is taking care of her mother, Magda, and that also means financially. They have a VERY weird relationship, y\u00e2\u20ac\u2122all, and I need a backstory IMMEDIATELY. Does Magda know about Petra and the past she is running from? WHAT IS HER DEAL? I admit to feeling very<\/i> hesitant about the fake domestic abuse storyline, though, because it\u00e2\u20ac\u2122s such a common misogynist rebuttal against domestic abuse. You know, that whole thing that women are faking it in order to get men in trouble? Except that\u00e2\u20ac\u2122s what is LITERALLY happening, and it\u00e2\u20ac\u2122s super uncomfortable???<\/p>\n

And then there\u00e2\u20ac\u2122s the whole Sin Rostro plot line, which I admit is not all that intriguing compared to everything else going on. I mean… yes, two murders in Rafael\u00e2\u20ac\u2122s hotel. But all the interpersonal conflicts are way more interesting than this subplot. Truthfully, I\u00e2\u20ac\u2122m only looking forward to more exploration of it because I just KNOW it\u00e2\u20ac\u2122s going to affect the main cast of characters. But how???<\/p>\n

The video for \u00e2\u20ac\u0153Chapter Five\u00e2\u20ac\u009d can be downloaded here for $0.99<\/a>.<\/p>\n

Mark Links Stuff<\/b><\/p>\n

– You can now pre-order my second YA novel, Each of Us a Desert<\/i>, which will be released on September 15, 2020 from Tor Teen!<\/a>
\n– Not only that, but my very first pre-order campaign is now live for North American readers! If you submit proof of pre-order, you can get a limited edition print that comes with the book<\/a>.
\n<\/strong>– If you’d like to stay up-to-date on all announcements regarding my books, sign up for my newsletter<\/a>! DO IT.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"