{"id":7554,"date":"2020-05-04T13:00:53","date_gmt":"2020-05-04T20:00:53","guid":{"rendered":"http:\/\/markwatches.net\/reviews\/?p=7554"},"modified":"2020-04-27T19:08:50","modified_gmt":"2020-04-28T02:08:50","slug":"mark-watches-jane-the-virgin-s01e02-chapter-two","status":"publish","type":"post","link":"http:\/\/markwatches.net\/reviews\/2020\/05\/mark-watches-jane-the-virgin-s01e02-chapter-two\/","title":{"rendered":"Mark Watches &#8216;Jane the Virgin&#8217;: S01E02 &#8211; Chapter Two"},"content":{"rendered":"<p>In the second episode of the first season of <i>Jane the Virgin<\/i>, Jane tries to fight change. Intrigued? Then it\u00e2\u20ac\u2122s time for Mark to watch <i>Jane the Virgin<\/i>.<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><!--more--><\/p>\n<p>I can tell that I\u00e2\u20ac\u2122m going to have so much fun watching this. Even the very format of the show makes this a delight. I think the narrator is a perfect touch to this; it\u00e2\u20ac\u2122s not often that the \u00e2\u20ac\u0153Previously On&#8230;\u00e2\u20ac\u009d sequence adds its own character to a story, but I\u00e2\u20ac\u2122m so happy that the writers have leaned into giving the narrator their own style. It allows an interesting distance between the story being told and <i>who<\/i> is telling it. There are little jokes along the way (like the \u00e2\u20ac\u0153sp?\u00e2\u20ac\u009d bit in the captions, or the narrator saying they don\u00e2\u20ac\u2122t care. It\u00e2\u20ac\u2122s a way for the show to exist in this interesting space between poking fun at telenovela tropes while also lovingly swimming in them.<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p>And I\u00e2\u20ac\u2122d say that\u00e2\u20ac\u2122s the case for the script as a whole. There are a TON of shocking plot twists in \u00e2\u20ac\u0153Chapter Two,\u00e2\u20ac\u009d and the last five minutes ruined me. (TOO MUCH.) It\u00e2\u20ac\u2122s a staple of the telenovela, no? The story is not static; it\u00e2\u20ac\u2122s <i>always<\/i> changing. Characters move in the momentum that\u00e2\u20ac\u2122s given to them by the writers. Yet <i>Jane the Virgin<\/i> also stops to give <i>these<\/i> characters a grounding, a sense that they\u00e2\u20ac\u2122re very much real people caught up in the chaotic absurdity of this soap opera. Like the pilot episode, this all felt so genuine and heartfelt, and that\u00e2\u20ac\u2122s an accomplishment all on it\u00e2\u20ac\u2122s own.<\/p>\n<p><b>Jane and Change<\/b><\/p>\n<p>It <i>is<\/i> fascinating to me that Jane exists within the kind of narrative\u00e2\u20ac\u201dthe telenovela plot\u00e2\u20ac\u201dthat necessitates change. Characters in telenovela shows cannot stay in one place, and they cannot refuse to change, at least not in most senses, because the world around them is changing rapidly. The writers take this idea and apply it to Jane in a much more intimate manner. Jane\u00e2\u20ac\u2122s life has changed in a way that literally <i>no one<\/i> could have predicted. So what\u00e2\u20ac\u2122s Jane\u00e2\u20ac\u2122s reaction? To cling to certainty as hard as possible, even if it is at great expense to herself. It\u00e2\u20ac\u2122s an entirely understandable reaction, too! She knows there are things that will be different in the coming months, so she sets up this family meeting\u00e2\u20ac\u201dMichael\u00e2\u20ac\u2122s first!!!\u00e2\u20ac\u201din order to establish normalcy. It\u00e2\u20ac\u2122s a noble effort, but it also proves to be detrimental pretty quickly. There are too many chaotic factors in Jane\u00e2\u20ac\u2122s life at this moment, and each of them has the potential to wrench her into a new direction.<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p>At the same time\u00e2\u20ac\u201dand I\u00e2\u20ac\u2122ll address this more in Michael\u00e2\u20ac\u2122s plot\u00e2\u20ac\u201dthere <i>are<\/i> things that Jane needs as certainties, and I was pleased the writers allowed Jane to feel those things out. Again, it\u00e2\u20ac\u2122s so rewarding that we\u00e2\u20ac\u2122re just TWO episodes into this, and there\u00e2\u20ac\u2122s so much room for these characters to grow, change, and adapt. Jane is in a terribly vulnerable position, and it felt like such a privilege to get to watch Gina Rodriguez fall so deeply into Jane\u00e2\u20ac\u2122s fears and insecurities. Y\u00e2\u20ac\u2122all, I know we all know this, but she\u00e2\u20ac\u2122s so good at this shit??? My heart broke during that scene on the front porch between Jane and Xiomara. Rodriguez has this physicality when she portrays emotion that\u00e2\u20ac\u2122s stunning to watch.<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p>Change is not inherently bad, though. What I do love about what \u00e2\u20ac\u0153Chapter Two\u00e2\u20ac\u009d has to say is that is values selfishness in a way that isn\u00e2\u20ac\u2122t harmful. Jane was so busy trying to satisfy everyone <i>else<\/i> in her life that her mother had to stop her and remind her that now, more than ever, was the time for her to put herself first. That meant keeping her job if it provided joy and stability. (Sorry, I still can\u00e2\u20ac\u2122t get over the health care thing. I understand Michael\u00e2\u20ac\u2122s emotional conflict here, but dude. Your fianc\u00c3\u00a9e is now pregnant and you want to have her risk losing her health care? ABSOLUTELY NOT.) It meant doing things that were best for her and the baby, even if it made others uncomfortable. It also manifested as acceptance; Jane spent so much time here fighting reality! You know, the whole \u00e2\u20ac\u0153milkshake\u00e2\u20ac\u009d thing? It\u00e2\u20ac\u2122s okay if this whole situation scares her, or if it makes her feel like life sucks. She should feel safe to express those things on top of the joy and excitement!<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p><b>Xiomara<\/b><\/p>\n<p>It\u00e2\u20ac\u2122s also hard to talk about Jane\u00e2\u20ac\u2122s growth because so much of it is tied to her relationship with her mother. It\u00e2\u20ac\u2122s not <i>just<\/i> their past together that matters, either, though that\u00e2\u20ac\u2122s obviously a big part of this. I\u00e2\u20ac\u2122m really loving this character, too, because Xiomara and Jane are set up as foils of one another as a conflict, and yet, the two of them continue to grow closer. How? They begin to understand one another. They are developing a new empathy, and it\u00e2\u20ac\u2122s fascinating to watch. This process has only barely begun, but Jane is starting to see her mother through new eyes. Jane is about to be a new (and young) mother, and I wouldn\u00e2\u20ac\u2122t be surprised if this creates new opportunities for Jane to understand who her mother has been to her.<\/p>\n<p>But the show also allows us to see Xiomara\u00e2\u20ac\u2122s own struggle with that. She was a young mother who had to raise Jane without her father, Rogelio, and with the help of Alba. However, it\u00e2\u20ac\u2122s clear that she <i>constantly<\/i> questions whether or not she\u00e2\u20ac\u2122s been a good mother. We can see that insecurity all over this episode! But what \u00e2\u20ac\u0153Chapter Two\u00e2\u20ac\u009d does is show us that Xiomara certainly wasn\u00e2\u20ac\u2122t perfect. She was just <i>different<\/i>. And at the heart of her actions was a deep, burning love for her daughter. So maybe she embarrassed Jane at her quince\u00c3\u00b1era; but Jane doesn\u00e2\u20ac\u2122t even know that Xiomara did that to prevent her from a greater shame. Thus, when Rogelio comes barging into Jane\u00e2\u20ac\u2122s life, Xiomara does it again: she protects her daughter from even more pain at a time when she doesn\u00e2\u20ac\u2122t need it. Look, I get why Rogelio wants to meet Jane, but Xiomara is right. Jane is SO overwhelmed in this episode, and one more dose of chaos right now is probably a terrible idea.<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p>That being said&#8230; maybe sleeping with Rogelio on top of all of this is a bad decision? Maybe. MAYBE.<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p><b>Michael<\/b><\/p>\n<p>I do appreciate Michael\u00e2\u20ac\u2122s conflict here. It\u00e2\u20ac\u2122s understandable why he is uncomfortable and why his jealousy flares. This really <i>is<\/i> a weird situation for him, but it\u00e2\u20ac\u2122s made even more nightmarish because of his job. I also thought it was satisfying to watch him give Jane this ultimatum and then walk it back, realizing that he was centering himself and his feelings instead of hers. It wasn\u00e2\u20ac\u2122t fair of him to ask her to leave the hotel. Does it solve his problems, though? No. He knows Petra is an unfaithful fianc\u00c3\u00a9e, and seeing Petra lie so easily is making him paranoid. How much you wanna bet that he\u00e2\u20ac\u2122s going to continue thinking it\u00e2\u20ac\u2122s possible that Jane will cheat on him? I\u00e2\u20ac\u2122m sure he\u00e2\u20ac\u2122s noticed that Rafael and Jane have an easy chemistry. (I sure have. Whew, that scene where Jane is getting a sonogram? That was MAGIC.) His world is all crime; it\u00e2\u20ac\u2122s all the worst of humanity; and how long will it be until that creeps too far into his life <i>outside<\/i> his job?<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p>Oh, not long. Because&#8230; holy shit, there\u00e2\u20ac\u2122s so much happening here already!<\/p>\n<p><b>The Affair<\/b><\/p>\n<p>I feel like \u00e2\u20ac\u0153Chapter Two\u00e2\u20ac\u009d is <i>starting<\/i> to peel back the edges of Petra in a way I really want the show to do. She is about the only character here who is who she is on the surface, and there did not seem to be any effort to explain <i>why<\/i> that is. Why is she so desperate for Rafael\u00e2\u20ac\u2122s money? Why did she start that relationship with Roman, Rafael\u00e2\u20ac\u2122s best friend? What\u00e2\u20ac\u2122s her motivation <i>beyond<\/i> greed?<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p>It\u00e2\u20ac\u2122s not until Petra gets to the tearful confession near the end of this episode that I see something new in Petra: genuine sadness. Which is ironic, since she\u00e2\u20ac\u2122d been coaching that whole confession with Roman, and it was supposed to be a means of manipulation. Except&#8230; holy shit, she actually meant it. There <i>was<\/i> a time in which she was in love with him. What was their relationship like during Raf\u00e2\u20ac\u2122s \u00e2\u20ac\u0153bad boy\u00e2\u20ac\u009d days? What has she gone through? Cuz now I want to know about this! That being said, it doesn\u00e2\u20ac\u2122t excuse the betrayal, and it doesn\u00e2\u20ac\u2122t make her right for trying to manipulate Rafael. But it makes her feel more whole as a character. It also seems like she had no idea what sort of work Roman was into, right? (And for the record&#8230; I am kinda side-eyeing Roman\u00e2\u20ac\u2122s death. He stands as the <i>only<\/i> Afro-Latinx character on the whole show&#8230; except not anymore. Just because this whole cast except for Michael is Latinx and brown doesn\u00e2\u20ac\u2122t exempt them from this sort of problem. I was hoping we\u00e2\u20ac\u2122d see more of him, too.) So, the affair\u00e2\u20ac\u2122s over, but is Rafael ever going to find out? Will that derail him from his attempt at making this relationship work? Also, hi, what\u00e2\u20ac\u2122s going on with Petra\u00e2\u20ac\u2122s mother??? I feel like there are some telenovela tropes in THAT, and I\u00e2\u20ac\u2122m hoping this doesn\u00e2\u20ac\u2122t go the lazy route of \u00e2\u20ac\u0153disability + scars\/disfiguration = evil.\u00e2\u20ac\u009d<\/p>\n<p><b>The Solano Family<\/b><\/p>\n<p>Y\u00e2\u20ac\u2122all, of EVERYTHING that happened in \u00e2\u20ac\u0153Chapter Two,\u00e2\u20ac\u009d nothing intrigued me more than the ONE MINUTE SEQUENCE in which we meet Luisa and Rafael\u00e2\u20ac\u2122s father. Honestly, the sheer chaotic energy of the five million reveals there ALONE is something to respect. I could not react to one twist before eight more of them came down the pipeline. What\u00e2\u20ac\u2122s so impressive to me is how so little said so much. We know that their father is someone who likes being impressed; we know that Rafael perceives that his father favors and \u00e2\u20ac\u0153coddles\u00e2\u20ac\u009d Luisa. WHICH HE FULLY ADMITS TO. He actually admits to it because&#8230; she\u00e2\u20ac\u2122s \u00e2\u20ac\u0153family\u00e2\u20ac\u009d? What the <i>fuck<\/i> does that mean? Is Rafael <i>not<\/i> family? And then Rose shows up, and we find out that Dr. Luisa\u00e2\u20ac\u2122s ex-lover, who she hooked up with earlier in the episode, IS HER FUCKING STEP-MOM?<\/p>\n<p>Y\u00e2\u20ac\u2122all, WHAT IS ACTUALLY HAPPENING IN THE SOLANO FAMILY. I need a full episode backstory RIGHT NOW.<\/p>\n<p>The video for \u00e2\u20ac\u0153Chapter Two\u00e2\u20ac\u009d can be downloaded <a href=\"https:\/\/markdoesstuff.com\/products\/mark-watches-jane-the-virgin-season-1\">here for $0.99<\/a>.<\/p>\n<p><b>Mark Links Stuff<\/b><\/p>\n<p>&#8211; <strong><a href=\"https:\/\/us.macmillan.com\/books\/9781250169211\">You can now pre-order my second YA novel, <i>Each of Us a Desert<\/i>, which will be released on September 15, 2020 from Tor Teen!<\/a><br \/>\n&#8211; Not only that, but my very first pre-order campaign is now live for North American readers! <a href=\"http:\/\/bit.ly\/EachOfUsADesertPreorder\">If you submit proof of pre-order, you can get a limited edition print that comes with the book<\/a>.<br \/>\n<\/strong><strong>&#8211; If you&#8217;d like to stay up-to-date on all announcements regarding my books, <a href=\"http:\/\/eepurl.com\/ey636\">sign up for my newsletter<\/a>! DO IT.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the second episode of the first season of Jane the Virgin, Jane tries to fight change. Intrigued? Then it\u00e2\u20ac\u2122s time for Mark to watch Jane the Virgin.\u00c2\u00a0<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[705],"tags":[706],"class_list":["post-7554","post","type-post","status-publish","format-standard","hentry","category-jane-the-virgin","tag-mark-watches-jane-the-virgin"],"_links":{"self":[{"href":"http:\/\/markwatches.net\/reviews\/wp-json\/wp\/v2\/posts\/7554","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/markwatches.net\/reviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/markwatches.net\/reviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/markwatches.net\/reviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/markwatches.net\/reviews\/wp-json\/wp\/v2\/comments?post=7554"}],"version-history":[{"count":0,"href":"http:\/\/markwatches.net\/reviews\/wp-json\/wp\/v2\/posts\/7554\/revisions"}],"wp:attachment":[{"href":"http:\/\/markwatches.net\/reviews\/wp-json\/wp\/v2\/media?parent=7554"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/markwatches.net\/reviews\/wp-json\/wp\/v2\/categories?post=7554"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/markwatches.net\/reviews\/wp-json\/wp\/v2\/tags?post=7554"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}<!-- WP Super Cache is installed but broken. 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