{"id":21,"date":"2010-11-29T09:42:10","date_gmt":"2010-11-29T17:42:10","guid":{"rendered":"http:\/\/markwatches.net\/reviews\/?p=21"},"modified":"2010-11-29T09:42:50","modified_gmt":"2010-11-29T17:42:50","slug":"mark-watches-firefly-episode-1-serenity","status":"publish","type":"post","link":"http:\/\/markwatches.net\/reviews\/2010\/11\/mark-watches-firefly-episode-1-serenity\/","title":{"rendered":"Mark Watches ‘Firefly’: Episode 1 – Serenity"},"content":{"rendered":"

In the first episode of Firefly<\/em>, we are introduced to the world of Malcolm \u00e2\u20ac\u0153Mal\u00e2\u20ac\u009d Reynolds and his crew aboard the ship Serenity<\/em>. Desperate to gain income while simultaneously maintaining a low profile, they pick up a set of passengers that changes the fate of their lives and the course of their ship. Intrigued? Then it\u00e2\u20ac\u2122s time for Mark to watch Firefly<\/em>.<\/p>\n

The opening scene of Firefly<\/em> is hard to ignore and I can\u00e2\u20ac\u2122t recall a more action-packed opening to a show that I\u00e2\u20ac\u2122ve ever seen.<\/p>\n

Full disclosure: I realized about five minutes into this episode that, about a year ago, I watched this pilot with my friend Kat. I remembered pretty much nothing from it, though, except a few minor plot points. As with any Mark Reads entry, I\u00e2\u20ac\u2122d like to ask you all to avoid spoiling me in any way. Don\u00e2\u20ac\u2122t answer my rhetorical questions or hint towards the future. I know it\u00e2\u20ac\u2122s hard. TRUST ME. But I would appreciate you not ruining the surprise from here on out.<\/p>\n

The series cold opens on a battle scene, and one we don\u00e2\u20ac\u2122t really seem to get much of an explanation for. Zoe Washburn, who is already becoming one of my favorite female characters I\u00e2\u20ac\u2122ve seen on television, is there, serving under Mal. There, we get to see Mal\u00e2\u20ac\u2122s sense of unwavering optimism (and realism) come into play. Facing a dire situation and the impending loss at the hands of (what I think is) The Alliance, Mal tries to reassure a fellow soldier that the odds are on their side.<\/p>\n

\u00e2\u20ac\u0153We\u00e2\u20ac\u2122ve done the impossible, and that makes us mighty.\u00e2\u20ac\u009d<\/p>\n

But the mighty can\u00e2\u20ac\u2122t factor in random chance, and I loved the amazing slo-mo camera pull away, the horror on our heroes\u00e2\u20ac\u2122 faces as the ships come in and that soldier so afraid of dying is shot and falls away.<\/p>\n

$\"\"$ <\/a><\/p>\n

We cut to the present, six years later, and Mal runs the Serenity<\/em> and, unsurprisingly, Zoe is still his second-in-command. What this show does brilliantly in one episode is introduce us to a very large and diverse cast in less than 90 minutes. It\u00e2\u20ac\u2122s impressive how I feel like I already have a grasp on the nine major cast members without reducing them to stereotypes. (Which isn\u00e2\u20ac\u2122t to say there aren\u00e2\u20ac\u2122t a few tropes pleasant in this pilot either, and I\u00e2\u20ac\u2122ll get to Inara\u00e2\u20ac\u2122s characterization in a moment.)<\/p>\n

Even though I had actually seen this before, I was surprised by how well the sci-fi and western themes melded together. Except\u00e2\u20ac\u00a6where did those horses come from? Does Patience live on Whitefall? I mean\u00e2\u20ac\u00a6they seemed to show up from nowhere. Which made me wonder where on earth they keep horses if they travel to other planets and then ride horses there.<\/p>\n

Why am I thinking of these things<\/em><\/p>\n

Mal, desperate to keep funds flowing to his ship and his staff, is taking any sort of job, legal or not. It\u00e2\u20ac\u2122s on one of these jobs that they unknowingly pick up a cargo of Alliance immunization and nutrition bars, which would potentially bring them the exact sort of attention they don\u00e2\u20ac\u2122t want. Unfortunately, Badger, the man who hired them for the job, doesn\u00e2\u20ac\u2122t accept the cargo when they arrive on Persephone, presenting them with a complicated situation: How can they get rid of their cargo and secure enough money for the Serenity<\/em> ship to continue on?<\/p>\n

Even in this first episode, as they travel to multiple places with the passengers they pick up in Persephone, the sets used are dense enough to feel real, but aren\u00e2\u20ac\u2122t complicated enough to get lost in. I love the use of open spaces for a great deal of the moments in the pilot, especially the Persephone marketplace, because it\u00e2\u20ac\u2122s a wonderful way to add realism to the fantastical scenes of this show. I mean, we\u00e2\u20ac\u2122re dealing with a world hundreds of years in the future and it still feels rooted in something real and tangible.<\/p>\n

But the real credit here goes to the characters (and the dialogue) that Joss Whedon has created. I\u00e2\u20ac\u2122ve heard from many credible friends of mine (AND I MEAN THEIR OPINIONS ARE CREDIBLE why does that sound like I rate my friends based on some bizarre criteria)<\/em> that Whedon writes some of the best female characters on television and I\u00e2\u20ac\u2122m starting to feel the same way. Kaylee, Zoe, and Inara are all fiercely independent in their own way without feeling like caricatures. I am always hesistant to see women in sex work portrayed in television or film because they\u00e2\u20ac\u2122re largely based on damaging stereotypes and while I\u00e2\u20ac\u2122m going to give Whedon credit that this story fleshes out more, I cringed when Mal called Inara a whore. I really don\u00e2\u20ac\u2122t like that word at all, but I also understand it\u00e2\u20ac\u2122s not Whedon calling sex workers whores either. I sense there\u00e2\u20ac\u2122s a much more complicated backstory to the relationship between Mal and Inara and I\u00e2\u20ac\u2122ll chalk the moment up to insulting anger on Mal\u00e2\u20ac\u2122s part more than anything else. On the contrast, I loved how interested Kaylee was in Inara in a completely genuine way, not bothering to other her because she has a job different than hers.<\/p>\n

I can\u00e2\u20ac\u2122t say I know where this show is headed in the next thirteen episodes. I remember now being very surprised by the revelation of River Tam inside the cargo that Dr. Simon brought on board. Naturally, I\u00e2\u20ac\u2122m intrigued as to what exactly is so special about her brain. But even as the main narrative thread that will most likely tie all these episodes together, River is still more than a one-dimensional character. In a sense, she doesn\u00e2\u20ac\u2122t feel like a plot piece at all and I really appreciate that. I imagine we\u00e2\u20ac\u2122ll learn more about her struggle with her identity as the episodes move on. It\u00e2\u20ac\u2122s ok to admit that she is the catalyst for keeping Dr. Simon on the ship at the end of the episode, but I can already see how much detail has gone in to crafting believable characters.<\/p>\n

Despite that I\u00e2\u20ac\u2122ve said it many, many times, I love when writers take great risks with their characters. Even though Kaylee didn\u00e2\u20ac\u2122t die, the threat of her death felt very real. Seeing Mal and Zoe get shot also proved that Whedon and the other writers aren\u00e2\u20ac\u2122t afraid to cause pain. Actions have more realistic actions in this universe than most science fiction does. It makes the story all that more exciting.<\/p>\n

Because I simply don\u00e2\u20ac\u2122t know how to describe and talk about the 30 billion things that happened in this episode (and probably future ones), I\u00e2\u20ac\u2122d like to end all of the \u00e2\u20ac\u02dcMark Watches\u00e2\u20ac\u2122 posts with a section that deals with extraneous thoughts and musings I have that didn\u00e2\u20ac\u2122t fit in the main narrative.<\/p>\n

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